Robert Turner: Rare Places in a Rare Light

“Robert Turner: Rare Places in a Rare Light”
A traveling exhibition featuring the large-format, richly detailed images of distinguished landscape photographer Robert Turner.
Harvard University, 26 Oxford Street, Cambridge, MA 02138 (617) 495-3045
Through March 26, 2006.

Going to a photography exhibit like “Robert Turner: Rare Places in a Rare Light” makes me feel like I spend days with my eyes wide open but see nothing. I don’t have to drive 40,000 miles a year in a pickup truck like Turner does to find places to photograph. I don’t have to surf weather service web sites like he does to find storms that I think will produce ideal light conditions in which to take pictures. But I do have to pay more attention to the quality of light around me. A walk through 43 of Turner's images on display at the venerable Harvard Museum of Natural History is a good reason to see why.

You can practically hear Pete Seeger singing “This land is your land, this land is my land…” as you gape at Turner’s large format photographs taken in the Pacific Northwest, the Great Smoky Mountains of North Carolina and Tennessee, the canyons of the Colorado Plateau, and the forests of Maine.

Turner is a poet with a camera. His credo is simple. “I want to create individual pieces of art that will endure well and create uplift for people. I want to show the value of wild places, and the feeling of awe, peace, drama, that an interaction with the environment can stimulate.”

Like the 19th century world-class English landscape painter JMW Turner (no relation), he’s fascinated with the quality of light. Unlike his predecessor, who treated light romantically, Robert Turner faithfully reproduces the light he captures on his 4x5 inch transparencies, then meticulously prints them.

The results are jaw-dropping operas on the chromatic scale of light. Storms produce the intense color and soft light that are Turner’s Holy Grail. For the series in Utah, Turner zeroed in on the weather service web site and watched the progression of storms across the country. When he found one that he liked and could get to in a day and a half, he jumped in his truck and drove there. And waited for moments “at the edge of a storm, after a rain, in the afterglow of sunset - when light upon the land intensifies color to almost magical proportions. The effect is other-worldly and profoundly evocative.”

“Storm Over The Green River”, Canyonlands National Park (attached), Utah, is a stunning example of one of those moments. Turner found a spot he liked and waited. He was hunkered down with a garbage bag over him and his camera when a shaft of light moved over the park’s terrain and spilled onto a spot that portrayed a nearly surreal moment of peace in that wild place. The colors in his images are so rich that you can practically feel the early morning mist evaporating from your skin or smell the musk of decaying ferns underfoot in a mountain pass.

Photo courtesy of Robert Turner's web site

Turner’s art is his pulpit. He’s preaching especially to city dwellers, those of us whose idea of wilderness is a walk on the nearest Audubon Trail. He intends that his permanent images of “rare places in a rare light” awaken an appreciation of nature’s grandeur and the need for us to conserve it. If the Wilderness Society had membership forms outside the exhibit, their membership would soar as people filed out of Turner’s exhibit.

Is there something in the American culture that values communing with nature as a solitary experience? If Henry Thoreau had a camera, he’d probably take photos like this. There are no people in Turner’s photographs. In his mind, we viewers provide the human presence and peering into Turner’s images, the viewer can easily feel not only solitary but also diminutive in scale. Think about the everyday beauty around us the next time you see a magic moment in a shaft of morning light. And think about ways to keep images like Turner’s a part of our wilderness environment for a long time to come.

IN the meantime, “Robert Turner: Rare Places in a Rare Light” is an opportunity to commune with nature without having to drive a day and a half in a truck to see the action.

http://www.hmnh.harvard.edu/exhibitions/index.html
http://www.robertturnerphoto.com/default.htm

Comments

[pt at large]

Dear Bob,
>
> I really enjoyed the March 24 ?gallery talk? you gave at the Harvard
> Museum of Natural History. I?d seen the exhibit in February and wrote a
> review of it in my blog (next email). By the way, the video interview
> that accompanies the exhibit was really illuminating: gave viewers insight
> into how your life experiences inform your art and craft.
>
> Many artists fail miserably when it comes time to explain their artistic
> vision, guiding principles, intuition or driving artistic force. Their
> fans, admirers or the curious are hungry for insight but artists are often
> uncomfortable speaking in public, do a lot of hemming and hawing, are
> awkward standing in front of us, which makes us feel uncomfortable, too.
> Or worse, they have an antipathy for the masses. Your lecture was a
> refreshing departure from that. Clearly you?ve got the Right side of your
> Brain going at full throttle when you work but your gallery talk is well
> constructed, focused and Left Brain friendly, sort of an f 64 version of a
> gallery talk. You appeared confident, friendly, and comfortable steering
> the flow of input from the audience so that your talk didn?t veer off into
> the diffuse back and forth of a Starbucks conversation.
>
> If I remember correctly, you outlined your themes: life experiences inform
> the work, realization of the art from inspiration to execution, how to
> overcome obstacles, the possibilities and limitations of color film and
> digital technology, and how the trained brain makes the pictures. The
> ?walk around? illustrated these themes.
>
> Of your life experiences, isn?t it amazing how opportunity is often
> disguised as loss? All your paintings stolen from your Land Rover on the
> way back to the states leads to filmmaking and photography.
>
> Your comments about he way you add a tactile foreground to help create an
> illusion of depth (Storm, Green River?), use diagonals, vignetting, and
> layers of color to represent depth were fascinating. Even better, they
> gave me tools to better articulate my own interpretations of other works
> of art.
>
> You?ve got some great sound bytes that act as touchstones for your talk.
> ?Squeeze the world into the lens of a camera? and ?How to organize a
> chaotic environment into a rectangular format to make a satisfactory and
> satisfying picture? are two of my favorites.
>
> When I first looked at your photos, I had a hard time believing you
> weren?t resorting to PhotoShop trickery to invent those colors. Once I
> walked outside I began to not only look, but see, the color around me. And
> appreciate it. And realize how much magic there is in a certain cast of
> light on homely as well as majestic subjects.
>
> Last but certainly not least, I know you?re making an intensely personal
> political point, your way of saying that we all have, or should have, a
> stake in preserving the wild places from which we?ve all descended.
>
> Best regards,
>
> Paul A. Tamburello, Jr.

[Robert Turner]

Hello Paul,

Thanks, first, for the review in your blog, and second, for taking the time
to send it along to me.

Thanks too for the kind words about the talk. Your summary gets to the
essence of it. I'm especially happy to hear that the political message came
through.

Your question about the use of music when I'm out in the field (which you
heard in the TV interview) was appreciated also. I hadn't remembered to
mention that.

I'm wondering if I could have your permission to post your blog review on my
website. I think it would help people see some things in the images that
they might otherwise miss. I'll include a link to your blog if you would
like.

Judging from all that you have written, you must be every bit as busy now in
your "retirement" as you were during 34 years of teaching.

Thanks again,

Bob

Robert Turner ~ Photographs
4475 Gladstone Court
Carlsbad, CA 92010

[Jan O'Keefe]

Your business card indicates that you are a reporter, but it could easily
say, "writer,"! Very nice prose - almost lyrical. Did you ever write
music?

Thanks for sending (and Turner photo inspiring). Appreciate seeing more
writing, too. Good luck with blog.

[David Connor]

BRILLIANT/STIMULATING. THANKS FOR SENDING ME THESE.